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the march 14th lecture
bechdel’s work tells the story of the author’s complex relationship with her late father
this work discusses at many instances the concept of masculine performance
bechdel uses herself and the figure of her father to maintain a discourse of gender performance throughout her narrative
throughout this narrative bechdel gives the readers the impression that her father has been repressed in his masculine performance
while the character of herself wishes to perform in a masculine way, she gives the opposite impression of her father
the argument can be made that she wishes to perform in a masculine manner during several points during fun home
most notably in chapter four,
during this scene of fun home the character of alison has somewhat of an epiphany, realizing that there are women who perform in a much more masculine manner, and not in the feminine way that her father had been pressuring her into performing like throughout her life
another instance where it is very clear to the reader that alison is eager to perform in a masculine way was when she told the character john to call her albert, rather than alison (bechdel, 113)
this scene being earlier in the narrative than the scene discussed above shows that alison believed that the only way she could perform in a masculine way as she wished was to actually be perceived by others as a male
while alison is a female who wishes to perform in a masculine manner, her father bruce is portrayed as the opposite in fun home
throughout this narrative there is a lot of ambiguity in relation to bruce, yet he is always pressuring alison into performing how he feels is the ‘right way’ for females to perform, so he seems to have very strong beliefs when it comes to gender performance
yet, near the end of fun home, bruce seems to have a confession to alison,
through this you can see that both bruce and alison have been repressed through gender performance, yet it opposite ways
while discussing this in class the question was brought up of what does this restraint of the performance that is natural to someone do to them? as discussed in sedgwick’s how to bring your kids up gay, it seems that the acceptable homosexuals in society are the people who follow their supposed ‘proper’ gender performances (sedgwick, 22)
this concept seems to be very relevant to bruce in fun home because it is presented by bechdel that bruce is not purely heterosexual, and works through his life to keep with the stereotypical masculine performance, even if it goes against who he is
this issue that bruce is presented to having dealt with through his life reminded me of an instance in fox’s glee with the character kurt hummel
throughout season one of glee, kurt hummel, an extremely effeminate character, is under constant pressure to be accepted by his father, burt, a character who embodies the stereotypical masculine performance
in two particular episodes, four and eighteen, kurt attempts through sports, clothing, interests, and the depth of his voice (preggers, laryngitis), to perform in a much more masculine way
while he remains a homosexual, he attempts to perform in a much more masculine way, to become accepted
bruce’s story in fun home reminded me a great deal of kurt hummel because they both have a great pressure to perform in a strong and masculine way, while it may not be natural to them
the pressure on people whether it is those expected to perform in a feminine way wishing to preform masculine, as is the case with alison, or those who are expected to perform in a masculine way, like for bruce or kurt, there is great pressure upon them
and it seems to have a very negative effect on those with that pressure
for more on fun home check out this blog post
new york: mariner books, 2006
“how to bring your kids up gay
” social text 29 (1991): 18-27
the second time that masculine performance came up in this course was in relation to a female character from shakespeare’s twelfth night
in this play by shakespeare the audience is introduced to a female character, viola, who spends the majority of the play disguised as a male character, cesario
through this play the audience is presented with a female character, as she attempts to appear as a man to everyone around her
i believe that this concept fits

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