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30 novembre 2018 Non Par admin

Orviax Images correspondant à avis

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my previous post the pressure of gender performance is extremely strong and can have a strong impact of an individual
again, this can be seen through looking at bechdel’s fun home, because in this narrative the characters alison and bruce are presented to be under immense pressure by themselves, family, and society to perform as their expected gender
by looking at these two characters, you can surmise that the advertisements that are almost present within every aspect of society
which is a way of enforcing the expected performance of any gender
as discussed in the pressure placed by society on any individual can have a strong negative impact on a person
  the pressure that is placed onto individuals, as discussed previously, in part through the advertisements that is present through movies, television, and radio
one of the most notable events for advertisements would be the superbowl that takes place annually
one of the most well known commercials from the superbowl would be the old spice ad,
this commercial aired on one of the most watched events on television, thus having a massive viewership
the old spice commercial from above is practically telling the men who viewed it how they should act, speak, and even smell
and also is telling the women who watched this commercial what a ‘real man’ is
this commercial really places a strong divide between men and women by stating such lines as, “anything is possible when your man smells like old spice and not a lady” or “but if he stopped using lady scented body  wash, and switched to old spice he could smell like he’s me”
the impact that advertisements have on the expected performance of gender is immense and can impact people greatly
and this impact can be seen through narratives, particularly from this course, fun home
new york: mariner books, 2006
“the man your man could smell like
“how to bring your kids up gay
” social text 29 (1991): 18-27
the next work from this course that i will be discussing in this blog is alison bechdel’s fun home, which was discussed during the march 14th lecture
bechdel’s work tells the story of the author’s complex relationship with her late father
this work discusses at many instances the concept of masculine performance
bechdel uses herself and the figure of her father to maintain a discourse of gender performance throughout her narrative
throughout this narrative bechdel gives the readers the impression that her father has been repressed in his masculine performance
while the character of herself wishes to perform in a masculine way, she gives the opposite impression of her father
the argument can be made that she wishes to perform in a masculine manner during several points during fun home
most notably in chapter four,
during this scene of fun home the character of alison has somewhat of an epiphany, realizing that there are women who perform in a much more masculine manner, and not in the feminine way that her father had been pressuring her into performing like throughout her life
another instance where it is very clear to the reader that alison is eager to perform in a masculine way was when she told the character john to call her albert, rather than alison (bechdel, 113)
this scene being earlier in the narrative than the scene discussed above shows that alison believed that the only way she could perform in a masculine way as she wished was to actually be perceived by others as a male
while alison is a female who wishes to perform in a masculine manner, her father bruce is portrayed as the opposite in fun home
throughout this narrative there is a lot of ambiguity in relation to bruce, yet he is always pressuring alison into performing how he feels is the ‘right way’ for females to perform, so he seems to have very strong beliefs when it comes to gender performance
yet, near the end of fun home, bruce seems to have a confession to alison,
through this you can see that both bruce and alison have been repressed through gender performance, yet it opposite ways
while discussing this in class the question was brought up of what does this restraint of the performance that is natural to someone do to them? as discussed in sedgwick’s how to bring your kids up gay, it seems that the acceptable homosexuals

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