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male perf notre avis, beauté, achat et prix afin institut de beauté chambéry
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have me share in their difficulty
and be present to their pain
larry pauses throughout his performance
he emerges reflective and thoughtful in his interpretation of his congregation’s understanding of his identity and the meanings that form through their interactions
he positions his body as appealing to those seeking a teacher, advisor, and counselor in times of suffering, seeing his body as evidence that he is familiar with their pain
larry draws upon the familiar christian metaphor of a pastor as a shepherd who takes care of the congregation, nurturing them like a shepherd would tend to his flock
he positions himself as strong and respected by his congregation, his masculinity does not need to be restored, and he effectively performs the role of a respected paternal leader
like alvin in his performance of his role of a father, larry gains credibility and respect from others, able to embody the reiterated constitutions of masculinity as one who is able to singlehandedly endure and press on through hardship
park-fuller (1995) asserts that in taking on the role of an audience for one another’s stories we “bear witness” participating in the meaning-making that occurs within the time and space of human interaction
in his role of a pastor, larry’s leadership and authority is arguably paternal, that of father who is intimately connected to his congregation, tantamount to the head of a family
because they interpret his body as enduring suffering, others are compelled to seek him out as a validated witness to pain, able to offer them insight and support
when enacting paternal masculine roles, such as that of a father or pastor, physical disability can legitimate rather than negates one’s masculine performance
outside of nurturing and counseling masculine roles, such as a father or pastor, the narrators did not perform the presence of physical disability as heightening one’s perceived masculinity
5 still, their performances highlight the complexity of the interplay of identity markers in varying contexts, and illuminate how cultural understandings of masculinity is produced and reproduced through bodies interacting
the relationship between masculinity and physically disabled identity materialized as a central component to personal identity across performances
narrators struggled through what it meant to perform masculinity and sexuality, a desire to be desired, through a body culturally positioned as “other
” each narrator performed his identity in a unique time and space, situated within cultural meanings, beliefs, and realities
the variability across experiences drew attention to the ability and masculinity spectrums on which these bodies surface, enabled and constrained by cultural expectations of gendered performance
bodies cited as different and deviant potentially unsettle dominant understandings of the culturally-constituted gendered continuum upon which all human bodies move within their daily performances
through bodies marked atypical, the narrators expose the nuances of culturally-constituted hegemonic masculinity that all human beings negotiate, interpret, create and re-create within our interactions
narrators mourned, resisted, and/or embraced their performances of masculine identity through disabled bodies
narrators positioned their masculine identities as changing based on their changing bodies, highlighting both the multifaceted nature and vulnerability of our bodies and the culturally-constituted gender identities we perform
their performances of masculinity also call attention to our gender identities’ dependence upon multifaceted cultural markers, from size and ability, to professional success and personal relationships, all of which are vulnerable to change with age, contexts, relationships, and/or events
perhaps, through their reflections on gender, disability, and embodiment, we can first understand, and then begin the process of dismantling notions of ‘ideal masculine identity’ that
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