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25 novembre 2018 Non Par admin

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La pose d’une voie veineuse jugulaire n’est pas autorisée au personnel infirmier, même si ce n’est pas une voie veineuse centrale.
« Article R. 4311-7 : L’infirmier ou l’infirmière est habilité à pratiquer les actes suivants soit en application. d’une prescription médicale qui, sauf urgence, est écrite, qualitative et quantitative, datée et signée, soit en application d’un protocole écrit, qualitatif et male perf complement alimentaire
quantitatif, préalablement établi, daté et signé par un médecin : …3. Mise en place et ablation. d’un cathéter court ou d’une aiguille pour perfusion dans une veine superficielle des membres hou dans une veine épicrânienne.»
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a co-ambulatory couple
after she helped him adapt his house and lifestyle to his new ability she informed him that she was leaving:
so before she started packing she goes
“well
i’ve been with you for six months
you’re on your own”
and away she went (soft laugh)
she couldn’t do this
she’s an adventurer
being active is what made us
ulmer’s story reifies his body as deficient, incapable of the companionship he experienced as an ambulatory man
his physical ability initially attracted his partner to him and was at the core of their relationship, without it, he is no longer a suitable life companion, there is no “us
” other markers of masculinity, such as financial stability, ability to control emotion, and maintained respect and influence in their community, could not compensate for the loss of physical prowess
as connell (2005) notes, “the constitution of masculinity through bodily performance means that gender is vulnerable when the performance cannot be sustained” (p
disability marks a disruption across these men’s experiences of gendered self that depended on physical ability
solis (2007) asserts that ulmer’s experience reiterates recurrent interpretations of physically disabled masculine identity; according to solis, the daily performance of a physically disabled male body is often culturally infantilized, judged incapable of romantic love or partnership
ulmer performed his memories of his wife with a sense of wistfulness and disappointment, but not anger, positioning himself as understanding of his wife’s decision to end their marriage
ernest, a higher education administrator who uses a wheelchair and ventilator after a diving accident as a teenager, also narrates the story of his divorce and performs himself as sad, not angry at his wife for leaving, positioning his body as the inevitable reason for their marriage’s end:
my disability had a lot to do with the fact that we divorced
it’s not easy living with a disability if
and it’s even tougher
i think in many ways if you have a disability
a disabled spouse
kara found that ah
she had to be out of bed before 5:30 when my aids came in
she couldn’t go to bed at night till 10:30 at night
when my aids finally left (sigh)
the house had to be laid out in a certain way
for me to be to maximize my independence um
and i used to talk about societal discrimination
um how things were not ah
accessible to me and ah
she left saying
“i can’t stay with you
there’s too much pain um
there’s too much pain here in the house
i have to get away” (sigh)
so i think if it weren’t for my disability we might still be together
i’m not sure (sigh)
ernest positions his physical disability as the catalyst for his divorce
he performs the physical and emotional struggle over disabled embodiment as more difficult for his wife who is not disabled, than for him
he pauses throughout this portion of his narrative, performing the overwhelming weight of the burden participating in the co-constitution of physically disabled identity
he moves through the restraints and demands on his wife’s body: her sleep schedule, the way the house and furniture needed to be laid out, and the habitual reminders of the stigma and prejudice surrounding her partner’s, and consequently her, daily life
he positions his wife’s life as restricted, disabled by his disability
in the end, he performs kara’s choice to shed her burden of the pain of disability
she continues in life apart from ernest, restoring her able-bodied identity through ending their relationship, and refusing to participate in the co-constitution of the pain, exhaustion, and stigma that emerges from the physically disabled body in daily performance
he closes the story of their relationship with her statement, “i can’t stay with you, there’s too much pain here in the house
i have to get away,” and offers the tentative conclusion that perhaps they would still be together if he was not disabled
ernest reiterates the hypothetical nature of this unrealized ending that is now inaccessible, expressing the reservation that he’s “not sure
” he imagines

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